Showing posts with label Interstellar Travel. Show all posts
Showing posts with label Interstellar Travel. Show all posts

Friday, January 11, 2019

Dailles and Nightlies- Battleship

          This almost sounds like a parody, really. Now 7 years removed from it, it is sort of stunning that this film actually exists, and isn't something in the background of a Hollywood satire. A military sci-fi blockbuster based on the plotless game of Battleship. The one where you yell out a position, and it hits or misses (I'm guessing modern versions are a tie-in to the film? Haven't played it in a while) Someone actually conceived of this, and created the film with high quality effects, name actors, and military support. It is kind of astounding, and with the right combination, it might've actually worked. Unfortunately, for a concept this wonky, it is surprisingly dull and boring.

      NASA has managed to locate an exoplanet with the potential for life, and sends a signal to any potential life. But, this interesting development is sidetracked by the story of Alex Hopper (Taylor Kitsch), who, as brother Stone (Alexander Skarsgard, and yes, his name really is "Stone") helpfully exposits to the audience, is an unemployed slacker celebrating his birthday at a bar, where he attempts to impress Samantha (Brooklyn Decker), by stealing a chicken burrito from a nearby convenience store. He's tased pretty badly by the police, and while he is recovering, Stone once again helpfully explains that he wants Alex to join the Navy and that Samantha is the daughter of the Commander of the US Pacific Fleet Terrance Shane (Liam Neeson). Cut to 7 years later, and Alex is now a Tactical Action Officer on the USS John Paul Jones, and is preparing to ask Admiral Shane for his daughter's hand in marriage (why this is still a thing, I'm not sure. Seems terribly antiquated). However, he is on the verge of a discharge (for some reason that's never explicitly explained as far as I could discern). Samantha, meanwhile revealed to be a physical therapist is helping a double amputee, Lt. Col Mick Canales (Gregory D. Gadson, a real life Iraq veteran and double amputee, which is very cool) recover by taking a walk in the beautiful Hawaiian wilderness.  If you're wondering where the aliens come in, well, they land during a Navy game between the RIMPAC nations, and create a force field around the Hawaiian islands. Now, after Stone is killed, Alex, along with Petty Officer Cora Raikes (Rihanna. Yes, that one) and the commander of the Jones' sister ship Yugi Nagata (Tadanobu Asano) must fight the aliens from within, while Samantha, Mick, and a SETI scientist named Cal Zapata (Hamish Linklater) try to destroy the shields.

      There are a couple things that are competent about this film. It has two kind of interesting subplots that are more interesting than the main plot. One is the aforementioned story of real life double amputee Gregory Gadson fighting off aliens, which was generally very awesome whenever we got to see it. The other involves a group of veterans actually refurbishing the USS Missouri with the main characters to fight the aliens. Both of these could've made entertaining films in and of themselves, and didn't deserve to be attached to Battleship the movie. The acting was alright, with a surprising standout being Rihanna. (I want to see her in more films, she has only been in 6 films since this one). It is mildly entertaining how they shoehorn aspects of the game into the film, like the pegs and when they try to fire on the aliens using a grid.

     It is surprising how boring this film is. Battleship the movie should be some weird, glorious mess. This is just another blockbuster, with a few tangential connections to its origin. It's not fun, it's not really that absurd. If you've seen any alien invasion film with clear support from the United States armed forces, you've seen this. I really can't say much other than that. Beyond that, it's also clear that it is trying to take elements from the then-hottest blockbusters, especially the Transformers films from Michael Bay. Director Peter Berg (known for the original Friday Night Lights, which is likely why Taylor Kitsch is in this) is clearly attempting to ape Michael Bay's style , from the panning shots to the slow motion action. However, while Bay has turned this into something of a vulgar artform using his own openly iconoclastic mannerisms, Berg's imitation makes the film look even cheaper and more mundane by comparison (though at least Berg doesn't imitate Bay's political incorrectness, in the former's defense). It really says something that I was more confused here than by the Transformers films I've seen directed by Bay. Along with failing to get Bay, Berg also uses a lot of Spielbergian music cues and especially, JJ Abrams-esque lens flares, which make the film even harder to see. I'm probably making this Frankenstein's monster combination out to be interesting, but really, the combination of these elements make the film generic, and not terribly interesting in its own right.

     It took four goddamn days to write this. Battleship the movie should not be this hard to write about, but the film is that uninteresting. I had a hard time describing the synopsis, because literally very little of note actually happens. I really don't recommend this to anyone, except maybe battleship enthusiasts with its accuracy and how it uses military strategies from what I've read, though maybe there are errors. I don't know. This was a lot tougher than I originally imagined.
        

Tuesday, December 22, 2015

Film review- Star Wars: The Force Awakens

   You know what, I don't need to write an introduction. You all know about this, or have at least heard of it. So, yeah, let's jump right in.

     7th in the film series created by George Lucas, The Force Awakens is set long ago in a galaxy far, far away.( To be exact, 30 years following the end of Return of the Jedi). However, things are far from great. After the fall of the Empire, a new government, the First Order, has essentially taken its place. It is lead by Supreme Leader Snoke (Andy Serkis), who uses Kylo Ren (Adam Driver) and General Hux (Domhnall Gleeson ) as enforcers. Princess (or General) Leia Organa (Carrie Fisher) now leads the resistance against the First Order, backed by the now restored Republic. However, they are losing. Not helping is the absence of Luke Skywalker (Mark Hamill), the last Jedi, who has now disappeared, and no one knows where he is. However, a daring pilot named Poe Dameron (Oscar Isaac) is able to gain a map to his location through a village elder (Max von Syndow) on the planet Jakku, which he entrusts to his loyal robot BB-8. When Dameron is captured, BB-8 rolls around the desert, until he encounters a scavanger named Rey (Daisy Ridley), who takes it under her care. Meanwhile, after Ren interrogates Dameron, the latter is rescued by Stormtrooper FN8.... You know what, I can't remember the exact numbering, so I'll just call him what the film calls him, Fin ( John Boyega), who has decided to escape the First Order. Together, Poe and Fin escape using a TIE fighter, but crash land on Jakku. There, Poe is presumably killed, and Fin is forced to look for BB-8, who has the map with him. He eventually finds the Droid he was looking for, along with Rey. However, the First Order seizes upon the Jakku junk yard, and they are forced to flee into space on an oddly familiar craft, where they plan to meet up with the resistence to get the map to find Luke Skywalker. Along the way, they meet old friends, new enemies, and a new look into the mysterious energy called "The Force"....
   
       This struck a perfect balance, between being a homage to the original trilogy and being its own original product. While it derives most of its tone spirit from the original, it still has an original story, and it does not rely heavily on the continuity of the previous films, nor is it a rehash of A New Hope.  Okay, Rey's story is somewhat reminiscent of Luke's, but she has a different personality and backstory, and her journey is far different in terms of obstacles and what she learns about the Force. The idea of a nameless Stormtrooper going rogue and becoming a hero was especially well done, and is by far the most interesting part of the film. The classic hero journey narrative that made the original such a classic is very much present, but it is very distinct. You don't have to watch the original 6 films to appreciate this. JJ Abrams also knows how to emulate Lucas' directing style, while still having a little bit of his own in the film, which illustrates the balance this film achieves, and mitigates the worst qualities of boths directing.  The acting is also well done, especially from the returning cast of Carrie Fisher and Harrison Ford (Spoiler: Mark Hamill, despite starring credit, is barely in the movie itself.) The special effects were good. As with Jurassic World, I did appreciate the use of animatronics and puppetry, as a nod to the original. In a world, where overuse of CGI is prevalent in action-adventure films, old fashioned effects always get a plus from me. The wide backgrounds constrasting with the smallness of the protagonists is a nice metaphor for the small people in big galaxy, that Star Wars was always about.

       The First Order is so similar to the Empire, when I was writing the synopsis, I accidentally put "Empire" sometimes. It is basically the Empire with a new name. It even uses the same techniques! I understand that the previous Empire was destroyed in Jedi, but this skewers way too close to the original for comfort. I heard that Abrams was going for a "Nazis in Argentina" feel, but those were refugees. It would have been more interesting had they been a small remnant of the Empire, which was still taunting the Republic. Also, the fanservice moments could get a bit cringeworthy sometimes. They don't happen very often to become a major problem, but it really took me out of the film going experience sometimes. Once again, not a major problem.

        You probably saw this film already, or had plans to see it. Just know that, like I said before, you don't really need to watch the original films to appreciate this film. It stands up on its own merits, and  is an worthy addition to the long running franchise. Whether you like or dislike Star Wars, you should definitely check this out, if only to see what the hype is all about.

   May the Force be with You.

      

Saturday, November 8, 2014

Review: Interstellar

     Here's a funny anecdote from my film-going experience. When I was waiting in line for this film, with my popcorn, and my nuggets.I was about to take out my ticket, to show to get in. However, I found that I didn't have it on me! I was completely stressed that they may not let me in. Luckily, the couple for me vouched that I had been there the entire time, and I was able to get in. My faith in humanity has been restored. And that's really it for the introduction. Okay, let... Alright fine, I'll give you more. Science fiction is my favorite genre, and recently, it has been growing in popularity. Superhero films are being churned out on a regular basis, and films like Avatar, and (much to my dismay) the Transformers films have grossed millions of dollar. However, with the new fame, comes the inevitable realization that perhaps a genre has become overwrought with cliches, and perhaps, it has become too oversaturated in the media. So, when Interstellar was announced, I was really excited. Sure, I'm not a Nolan fan, but I saw as a sort of a 2001 for the modern era. When 2001 came in 1968, science fiction films were largely crude productions, known for their absurdity. 2001, a film which deployed subtlety and imagery, helped influence science fiction pictures which are generally considered better. Now, as science fiction is going through a similar phase (albeit with science fiction becoming little more than "Fast and Furious" style masculine pandering), Interstellar, I assume, would be a return to cerebral, intelligent science fiction. And it is a story promoting Space exploration, which has gone stagnant over the past few years, particularly in the US. Here was a film telling us to explore and seek, which would help the people on Earth. I was very hyped. Then the reviews came in, and said that the film was visually impressive, but lackluster in narrative. And when I saw it, the movie sort of fit that mold, and kinda didn't... Full disclosure, I liked the picture. I didn't love it. I wasn't disappointed with this film the same as Gone Girl, but I didn't get the film I was hoping for several months ago.
     The story is set in the not-too distant future. Cooper (I don't think he was given a first name)(Matthew McConaughy) is a former astronaut test pilot turned farmer living in rural America. The world has been rocked for many years by ecological disaster, which has caused crops to slowly die out, adding to the fact that the large population simply cannot be fed . Cooper lives with his father Donald (John Lithgow, of all people), and his children Tom and Murph. Murph reports having a ghost in her room. After initially dismissing it, Cooper finds that this supposed ghost is actually a gravitational anomaly, which is stating a set of coordinates in binary. The coordinates send him to a secret instellation, which is the remnants of NASA, now forced underground to undertake a secret mission. A wormhole had been discovered near Saturn, leading into another galaxy and several team were sent into it to find habitable worlds (why they didn't send robots first to investigate first is not answered). Some of the teams were to send signals indicating if the planet was habitable. Then, two courses of action were taken. Either they begin colonization with the humans on Earth, or they send in eggs to be fertilized. Professor Brand (Michael Caine) an old teacher of Cooper, encourages Cooper to take up the mission. Cooper reluctantly accepts, forcing him to leave behind his children. Murph, in particular, is great dismayed by this.  Cooper and his crew, including Brand's daughter, Amelia Brand( Anne Hathaway) , launch, and after two years in cryogenic sleep, arrive in Saturn orbit (sound familiar?). The wormhole takes them to several planets orbiting a massive black hole, where the three remaining signals are coming from. After the first signals turns up a dead signal on a water world, Cooper and Brand return to find that, due to the time dilation on the planet, coming from it orbiting a black hole, 23 years have passed on Earth. In those years, Murph (Jessica Chastain) is now a NASA scientist working with the dying Brand on a gravitational equation that would get the entire population off Planet. However, Brand reveals on his deathbed, that his equation revealed that there needed to be the singularity of a black hole to solve it. This meant that he abandoned getting humans off the dying Earth, and was hoping to use the embryos to save humanity. With this knowledge, Cooper and Amelia must find a new home, before they run of time (literally), whilst Murph continues to work on Brand's equation. However, soon, things get complicated.
        There is a lot of very good things in the film. The special effects are magnificent, the best I have seen all year (including Planet of the Apes). The worlds they create just pop into life, and are just so extensive. The black hole they explore is simply gorgeous to look at. Similarly, the world-building is great. The way that they establish that exploration is discouraged by teaching the Apollo hoax was interesting, as was the Dust Bowl-inspired setting. The worlds that they explore are also very interesting. Additionally, as an aficionado of hard science fiction, the technical and scientific jargon was a treat, and gave the world more depth. I particularly liked how, in the scenes actually in space, there is no sound. The acting is good (surprising for a Nolan picture), as is the score by Hans Zimmer. All these elements allow for a good first hour, and a solid last 30 minutes.
         You know, if I wanted to watch 2001, I have it on DVD. I would watch it, if I wanted to. I say this because many of the elements in this film are taken from 2001. From the scenes on the ship, to the views of Space, to the wormhole and black hole sequences (Star-Child, anyone?). Seriously, when the ship is leaving Earth orbit, I started whistling "Blue Danube" Also a ship with cryogenically stored astronauts leaving for Saturn? Haven't seen that before. I only bring this up, because the film obviously seeks to homage that movie. However, when I watch these homages, all I could think about is how much more subtle and interesting 2001 was, and how I wanted to watch that. However, if that were the only flaw, I would forgive it. If only. The second third of this film is terrible. The twist that Brand wasn't going to save the people on Earth is simply stupid, and serves merely to give more drama to a story that should already have drama. It's like Little Shop of Horrors, where they just added needless elements, when a guy buying a man-eating flytrap is a good enough story. The story, as it stands, already has drama, as Cooper is leaving his family, and potentially risking his life, all whilst time moves on Earth. We do not need this twist. And character begin acting irrationally, for no reason other than the plot said so. For instance, the grown Tom is refusing to move his family, even as the dust destroys their lungs, and becomes aggressive, once again, because the plot said so. And the story just grows so convoluted, it gets very hard to follow, what is even going on. I would give more detail, but frankly, I don't want to go into it.

          This is one good opening and ending, with a terrible middle sandwiched in there. Despite that, the opening and ending are good enough for me to recommend this. It might even get nominated for an Oscar. If you like Nolan, you're probably going to watch this, regardless of what I say. If you want a good science fiction film, I say watch this, if only for the world building and the scientific accuracy. If you want to just watch a film out of boredom, well, probably watch it, but you'll have sit in the theater in 3 hours. Overall, the film earns a 60%. Oh, and another thing, if you will watch it, watch it in IMAX. Yes, the sound occasionally makes dialogue unlistenable, but it does pop, and the sound is quite extensive. 

Saturday, September 27, 2014

Project Daedalus: Journey Beyond the Stars

Daedalus craft and Saturn V
Credit/Copyright: Adrian Mann
(A very special thanks to Adrian Mann for allowing me use of the photo. For more of his incredible work, check out:
http://www.bisbos.com/index.html)
   
 Manned Interstellar travel is currently impossible. The distance to the closest star, Proxima Centauri is over 4 light years, which translates to 5.87 E 12 miles. In contrast, the moon is 225,622 miles from Earth. Given this, it would take (given the fastest propulsion system, for instance nuclear) at least 87 years to actually get there. It would take even a relatively small craft, like Voyager 1, which is outside the Heliosphere, 80,000 years. Of course nobody has the time to actually, well, live through it. The kinetic energy to achieve reach a close star is beyond the capabilities of many modern spacecraft. Further, the dangers of outer space are well known. Whatever may fill the interstellar medium could damage the spacecraft. You would have to remain on the craft for a long time, without the ability to go outside, and to interact with the same crewmates, These problems prevent a Star-Trek esque future of interstellar travel in the near future. (Then again, that show is set in the 22nd century, so it's hardly the "near-future"). However, unmanned probes could hold potential. After all, the crafts don't have to account for the human side, just the technological side. Whilst the time and distance problems still remains (as seen in the Voyager example above), one can make the argument for an unmanned interstellar mission. One such group acting on this was the British Interplanetary Society, and in the 70's, they made their case.
     The British Interplanetary Society was founded by Phillip Cleator in 1933. It was founded during a boom in rocket societies in developed countries, such as the US, Germany, and the Soviet Union (many members of these societies would become key figures during the Space Race). At first, the Liverpool based organization was based solely off rocketry experimentation, but the Explosives Act of 1875 (which banned liquid fueled rockets) put an end to that. After a move to London in 1937, the membership boomed, with notable members including famed science-fiction author Arthur C Clarke and Val Cleaver, designer of the British Blue Streak Missile in the 50's. They become known for their extrapolations speculating on the possibilities of manned and unmanned space travel. They did a notable study of a moon mission in 1930's, with notable similarities to the Apollo Missions. Even after the space race concluded unceremoniously, the BIS continued to speculate, this time going to more distant locales....
       On January 10th, 1973, thirteen members of the BIS embarked on Project Daedalus, named for the mythical creator of the Labyrinth, a theoretical study dealing with the possibility of unmanned interstellar travel. This was first proposed by member and former Rolls-Royce engineer Alan Bond in 1972. The project was lead by Bond, Tony Martin, and Robert Parkinson.  It was, in part a response to the Fermi Paradox, a supposition by famed physicist Enrico Fermi that contrasted the theoretical abundance of intelligent extraterrestrial life, with its absence. One possibility is that interstellar travel hasn't been developed sufficiently by extraterrestrial civilizations sufficiently. The project was in part made to debunk that interstellar travel was hypothetically impossible, at least for unmanned crafts. The final project was published in the BIS Journal in 1978.  The conceived product was a 54,000 ton craft (larger than the Saturn V), equipped with scientific instrumentation such as robotic sub-probes, telescopes, and cameras, whose destination was the distant Bernard's star, over 5.9 light years away. To mitigate the impact of slow moving particles, a beryllium shield was added, due to the high latent heat and lightweight nature of Beryllium. The giant ship would have to be constructed in orbit, due to its sheer size. The journey was to take 50 years. 
      The mission had three stated goals: 
     
  • (1) The spacecraft must use current or near-future technology
  • (2) The spacecraft must reach its destination within a working human lifetime
  • (3)The spacecraft must be designed to allow for a variety of target stars
      The thirteen member group had a serious task ahead of them. They needed to find a way to achieve astronomically (pun unintended) high speeds, and weather potential threats to the craft. Whilst full on nuclear propulsion (as in the cancelled Project Orion) was possible, the 1967 Outer Space Treaty prevented this. They were able to solve this, by deploying an interesting method. The engine was two stage, with pellets of deuterium and helium-3 (extracted from Jupiter or the Moon, depending on the year) being bombarded by high energy electron beams. This would induce fission, and hence energy for thrust, much like a chemical rocket. There would be 250 of these detonations per minute. The first stage would be a boost stage, which would consume 46,000 tons of fuel, achieving a speed of  75 million miles per hour. After 3.8 years, the second cruising stage would apply, where the craft would travel at 12% the speed of light, which would be 22,000 miles per hour. This would last 46 years, until reaching Bernard's Star. The ship would be inactive during the first part of this journey. However, halfway through, the probe would turn its two 5 meter optical telescopes and 20 meter radio telescopes towards the star, and take photographs, as well as analyze spectrographs, photometers, etc of the star and any accompanying planets. Eventually, its legion of robotic probes are awaken, and given coordinations. The eighteen probes will be released 1-7.2 years before the craft actually arrives to Bernards Star, and then descend upon the solar system, each equipped with spectrometers, photometers, cameras, and other scientific equipment to find more about the planets, and maybe the life on them. These will return data to the ship, and transmit it back to Earth. Robots would also be responsible for the care of the ship.
   No cost was placed on this project, though estimations would put it at a whooping 100 trillion dollars. This is no surprise, given the scale of the project, and the fact the ship would be larger than several famed buildings. Also, the BIS acknowledged that a large degree of international cooperation would be needed to actually build the craft. None the less, this has influenced thinking on unmanned interstellar travel amongst major space agencies, including NASA.Despite the discovery that Bernard's star didn't actually have planets, the model can easily applied to any star. So, will it be used? Maybe, but not in its original form. Elements may survive, but the mission to a distant star system would likely be smaller in scale. After all, this was merely a speculative study, not an ironclad blueprint. Variations  have appeared, including self-replicating robots, and a magnetic sail in place of nuclear engines. It was, and in a way, still is an ambitious project, one which pushes the boundary of what truly is "possible." To quote a former BIS president: "The only way of discovering the limits of the possible is to venture a little way past them into the impossible."

Sources
Project Daedalus – Interstellar Mission- The British Interplanetary Society:

Daedalus-Brisbo.com:
The Daedalus Starship- Damn Interesting:
Project Daedalus- Origins:
Project Daedalus- Wikipedia, the Free Encyclopedia:
Project Daedalus- The World of David Darling
The Cost of Interstellar probes- Centauri Dreams:
Interstellar Travel- Wikipedia, the Free Encyclopedia:
List of nearest stars and brown dwarfs- Wikipedia, the Free encyclopeida