Sunday, October 22, 2017

Masterpiece of Horror Theatre- Monkey Shines

     Not much history on this film I could find. Monkey Shines was a 1983 novel by British author and entrepreneur Michael Stewart. It was apparently one of those paperback animal thriller fiction novels, as far as I can tell. Orion Pictures bought the rights to the film. George Romero, dealing with various difficulties and compromises during the production of Day of the Dead, decided to make this his first studio picture, while still having his trademarks (filmed in Pittsburgh, for instance). However, this apparently turned out badly, as Orion would tack on both a happy and shocker ending against Romero's wishes. After this bombed ($5.4 million on a 7 million budget), he returned to independent filmmaking. That's basically all I could find.

       Allan Mann (Jason Beghe) is a college athlete, who, while jogging one day, is hit by a truck. While he survives the accident, the surgery has rendered him paralyzed. Stuck in a wheelchair, he grows increasingly despondent, affecting his relationship with his mother Dorothy (Joyce Van Patten), girlfriend Linda (Janine Turner), and hospital appointed nurse Maryanne (Christine Forrest). Seeing his pain, his friend Geoffrey (John Pankow), a research assistant specializing in injecting human brain samples into monkeys, gives him one of his helper monkeys Ella (Boo, a male capuchin monkey) to make his life easier. Melanie (Kate McNeil), a helper monkey specialist, helps him, and the two gradually grow closer. However, he and Ella have a much stronger bond, and it is making him a little more aggressive. But is it him, or could it have something to do with Ella....

      This was an interesting premise for a film. I admit, "Helper Monkey" is not something I was aware of, but they do exist, and are apparently very helpful. (A disclaimer in front of the film explains this). I could see how, given Monkeys have opposable thumbs.  They make good use out of the abilities of the monkey in the film, and it is creative. I admit, I was not expecting a horror film about a "helper monkey.", but it turned out well. I was invested in the film, its character (who are all very well-drawn), and the story it was telling. I also liked that the main character gained self-awareness early on, and is actively trying to combat the monkey, while still confined. It also was scary in parts.

     I'm going to sound like a hipster, but I felt the larger, glossier studio cinematography of the film makes the action a bit silly. This sort of action would work better in a lower budget picture, like Romero's earlier work, but it comes off ridiculous and over the top here. Especially the end, which I won't spoil, but if I told you what happened, you might not believe me. It also feels like a lot could've been cut out (there's a brief odd subplot about Geoffrey and his boss about the ethics of animal testing, which adds nothing to the film, and feels like it's there only to have political themes.) On that point, I felt more could've been done with how Allan's life was changed by his paralysis. It is addressed, but I felt it could've been explored in greater detail.

    I liked this fine, but as you could tell, I had trouble talking about this. There really isn't much to say here. It's a film about a killer Capuchin monkey, based on what I think is an airport "animal horror" paperback. I can't really think of anything else to say. If you want a mildly entertaining film to watch, or are interested in the premise of a helper monkey going bananas (pun intended), this should satisfy you. If you want a terrifying experience, watch one of Romero's earlier films, or watch  Rise of the Planet of the Apes, which has a similar idea now that I think about it.

     Next week, we finish the Romero retrospective with Day of the Dead. 

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